Brandon Vickerd: Liminal States

Brandon Vickerd Sculpture

Brandon Vickerd, Sputnik Returned

Clichés being what they are, I’ll nevertheless risk one and say: it’s an image that looks like something out of a bad science fiction movie. A late-model car, otherwise innocuously (if somewhat illegally) parked in a No Parking Zone, has been, well, “cleaved” shall we say, by, of all things, a satellite. And not just any old satellite. Resting atop the remains of the vehicle’s badly dented roof, it’s Sputnik, the very first satellite, put up into orbit by the Soviets in 1957, circling the earth and emitting a beeping sound that was monitored by amateur radio operators around the world (oh, and the highly annoyed US military as well). Continue reading

Niall Donaghy: Iconology

Niall Donaghy Sculpture

Niall Donaghy, Superfortress

How many sculptors got their start in model-making? I’m talking kits, here, the making of model airplanes or cars or ships or, hell, even figures. Maybe they might’ve started off building those plastic kits that were once so ubiquitous (and which, as with so many of my boomer generation, I grew up with), and maybe, just maybe, they then moved off to something more a bit more sophisticated, maybe something that led them deeply and irrevocably into art. Continue reading

Shape-Shifting: The Need for Sculpture

Laura Moore Sculpture

Laura Moore, One Man’s Junk (installation photo by Paul Cimoroni)

I want to talk a bit about context – specifically, what sculpture can do to our experiences and expectations of public and private spaces. It’s all about shape-shifting.

I’m drawn back to this because of an exhibition recently opened at the Maclaren Art Centre in the city of Barrie, Ontario, just north of Toronto. Laura Moore’s One Man’s Junk is a seemingly simple and understated installation: essentially a wooden shipping pallet carefully stacked with a number of carved limestone sculptures – 1:1 scale – of old cathode-ray tube computer monitors. The contextual part of this has to do with the work’s placement in a small, interior courtyard at the gallery that is shared with an adjacent café. There are plants in concrete containers, and a few tables and chairs. Moore’s work sits off to one side atop a concrete slab. Continue reading

Sarah Saunders: Songs of Sanctuary

Sarah Saunders Sculpture

Sarah Saunders, Assembly Line, 2011.

I first encountered the work of Sarah Saunders in the late 1990s when I was the curator at the Confederation Centre Art Gallery in Charlottetown, Prince Edward Island. I was fortunate enough to include her in an exhibition of sculptural ceramics, and had the opportunity to write about her work for a catalogue, and then later review her work in magazines. Continue reading

In the Studio Susan Leibovitz Steinman

Susan Leibovitz Steinman Sculpture

“River Hopes & Dreams” by Susan Leibovitz Steinman. Photo by the artist,
© SL Steinman from

Susan Leibovitz Steinman creates sculpture out of many different re-purposed materials: ladders, bicycles, shopping carts, and tires. Another material she uses that we consider renewable rather than re-purposed, is living plants. Between recycled material and growing plant life is the continuum of permaculture: an inspiration and method within Steinman’s work. I asked her a few questions about how she considers the balance of these themes. Continue reading

Deviant Predication: The Manga Ormolu of Brendan Tang

Brendan Tang Sculpture

Brendan Tang, Manga Ormolu ver. 4.0-w (2016)

Bear with me, here.

I’ll date myself and risk saying that, as is usually the case, those of newer generations of us homo sapiens are stereotypically deemed by those of the previous to suffer  shortcomings of the mind, body, or spirit. “Why, when I was a child…” is often how such critiques start, followed by a great deal of tsk tsking as more recent humans are taken to task for faults and flaw and defects that their forebears have miraculously been apparently unaffected by. And I’ll go out on a limb and say that perhaps the greatest flaw newbies on planet earth are accused of is a short attention span, courtesy their exposure to the vicissitudes of contemporary culture from the word go. Technology, the thinking goes, is making us idiots, unable to focus. Continue reading

Outlier: Richard Serra’s Shift

Shift Sculpture

Photo by Jason Paris from Toronto, Canada (Richard Serra’s “Shift” (1970) [CC BY 2.0 (], via Wikimedia Commons.

I travel bi-weekly from my home in southeastern Ontario on the northern shore of Lake Ontario up to the city of Barrie, about an hour north of Toronto, to visit my ailing mother. So as to avoid driving into and then out of the urban sprawl and congestion of Toronto, I take a series of secondary and county roads that eventually get me to where I’m going. If my little village, Toronto, and Barrie comprise the three apex points of a triangle, I essentially drive the hypotenuse. Continue reading