
Robin Peck, Crania installation view, 2015, CANADA, New York
In an earlier blog posting, I wrote about the “school” of 1:1 sculpture as it had manifested itself in the work of some faculty and students at the Nova Scotia College of Art and Design (NSCAD) in Halifax. Amongst the names was one artist whose work I didn’t discuss at any great length because in some ways it stood apart, despite having been extremely influential in the goings-on at the aesthetic hothouse that was the sculpture department of the period: Robin Peck. Continue reading