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	<title>International Sculpture Center Blog</title>
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		<title>International Sculpture Center Blog</title>
		<link>http://blog.sculpture.org</link>
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		<title>In the Studio Summer Theme: Innovative Low Cost Museum-Quality Art by Risa Puno and Soo Sunny Park</title>
		<link>http://blog.sculpture.org/2013/06/19/puno-and-park/</link>
		<comments>http://blog.sculpture.org/2013/06/19/puno-and-park/#comments</comments>
		<pubDate>Wed, 19 Jun 2013 15:51:00 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[In the Studio]]></category>
		<category><![CDATA[Jan Garden Castro]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2614</guid>
		<description><![CDATA[There is a Cass Brothers lyric, “Something for nothing &#8211; tricks for free” that suggests duplicity or cheating and a Rush song saying, “No, you don’t get something for nothing; you can’t have freedom for free…” Love and freedom are, in some ways, opposite concepts that involve other concepts to realize&#8211; along with individual energies, [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2614&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Breaking Bienal, in progress.</media:title>
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			<media:title type="html">Soo Sunny Park, Unwoven Light</media:title>
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		<item>
		<title>Michael Combs &#8211; Hunters</title>
		<link>http://blog.sculpture.org/2013/06/12/michael-combs/</link>
		<comments>http://blog.sculpture.org/2013/06/12/michael-combs/#comments</comments>
		<pubDate>Wed, 12 Jun 2013 15:20:50 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[On View]]></category>
		<category><![CDATA[Ana Finel Honigman]]></category>
		<category><![CDATA[hunting]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2597</guid>
		<description><![CDATA[Michael Combs reminds us that, as biologist Marc Bekoff wrote, “enthusiasts often like to hang signs that say ‘Gone Fishin’ or ‘Gone Huntin&#8217;’. But what these slogans really mean is ‘Gone Killing.’” Like Bekoff, Combs intimately understands the swagger and posturing motivating today’s huntsman. His family were baymen and decoy carvers in Long Island&#8217;s Great [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2597&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">ADAM-&#38;-EVE-2012-72dpi</media:title>
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		<item>
		<title>Alejandro Bovo Theiler &#8211; Origen</title>
		<link>http://blog.sculpture.org/2013/06/05/alejandro-bovo-theiler/</link>
		<comments>http://blog.sculpture.org/2013/06/05/alejandro-bovo-theiler/#comments</comments>
		<pubDate>Wed, 05 Jun 2013 15:20:59 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[On View]]></category>
		<category><![CDATA[Maria Carolina Baulo]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2580</guid>
		<description><![CDATA[Translate from Spanish to English or other languages Licenciado en Escultura por la Universidad Nacional de Córdoba, el artista plástico Alejandro Bovo Theiler, nos ofrece una muestra por demás interesante que nos invita a conectarnos con las raíces más profundas de un universo de arquetipos híbridos que traducen el lenguaje que el artista viene desarrollando [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2580&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://blog.sculpture.org/2013/06/05/alejandro-bovo-theiler/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
	
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			<media:title type="html">Tenz-(foto-de-estudio)</media:title>
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			<media:title type="html">Faustina-entera</media:title>
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			<media:title type="html">El-Exh2</media:title>
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		<item>
		<title>Art Parks: A Tour of America’s Sculpture Parks and Gardens</title>
		<link>http://blog.sculpture.org/2013/05/29/art-parks-a-tour-of-americas-sculpture-parks-and-gardens/</link>
		<comments>http://blog.sculpture.org/2013/05/29/art-parks-a-tour-of-americas-sculpture-parks-and-gardens/#comments</comments>
		<pubDate>Wed, 29 May 2013 15:33:39 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Surveys]]></category>
		<category><![CDATA[gardens]]></category>
		<category><![CDATA[Glenn Harper]]></category>
		<category><![CDATA[parks]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2575</guid>
		<description><![CDATA[Francesca Cigola’s new guide to Sculpture parks and gardens in the U.S. (scheduled for publication this June) overlaps a bit with the ISC’s own 2008 Landscapes for Art: Contemporary Sculpture Parks, but the content and strategy of the two books is very different. Art Parks is a genuine guidebook (with a portable but sturdy “flexibind” [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2575&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<media:content url="http://iscbookreviews.files.wordpress.com/2013/05/artparks.gif" medium="image">
			<media:title type="html">Art Parks: A Tour of America’s Sculpture Parks and Gardens By Francesca Cigola 224 pages. $35 Princeton, NJ: Princeton Architectural Press, 2013. ISBN: 978-1-61689-129-9</media:title>
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		<item>
		<title>In the Studio with Lika Mutal</title>
		<link>http://blog.sculpture.org/2013/05/22/lika-mutal/</link>
		<comments>http://blog.sculpture.org/2013/05/22/lika-mutal/#comments</comments>
		<pubDate>Wed, 22 May 2013 15:35:02 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[In the Studio]]></category>
		<category><![CDATA[Jan Garden Castro]]></category>
		<category><![CDATA[peru]]></category>
		<category><![CDATA[stone]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2565</guid>
		<description><![CDATA[Visiting Lika Mutal’s studio for stone sculpture in Villa Salvador near Lima, Peru requires driving south through industrial sections, shantytowns, and great sand dunes. On the day I visit, April 23, a water main has burst and there is flooding on parts of the mud two-lane road. Inside a cement brick walled space, a lush [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2565&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://blog.sculpture.org/2013/05/22/lika-mutal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Lika Mutal Studio. Photos: Gam Klutier </media:title>
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			<media:title type="html">Guardian of the North - 2007. 89 1/4&#34; x 37&#34; x 15 1/2&#34;. Black Granite. Photo Gam Klutier</media:title>
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			<media:title type="html">Lunar Stone - 2010. 41 3/4&#34; x 41 3/4&#34; x 15&#34;. Travertine with calcarean algae&#34;. Phot gam Klutier</media:title>
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			<media:title type="html">&#34;River Flowing Up&#34; - 2013. 17ft x 5ft 7&#34; x 5ft 7&#34;. Crater Stone. Photo Gam klutier</media:title>
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			<media:title type="html">Lika Mutal Studio. Photos: Gam Klutier </media:title>
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	</item>
		<item>
		<title>Maya Lin &#8211; On Pins and Needles</title>
		<link>http://blog.sculpture.org/2013/05/15/maya-lin-2/</link>
		<comments>http://blog.sculpture.org/2013/05/15/maya-lin-2/#comments</comments>
		<pubDate>Wed, 15 May 2013 15:37:00 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[Materials & Process]]></category>
		<category><![CDATA[Earthworks]]></category>
		<category><![CDATA[Land Art]]></category>
		<category><![CDATA[pins]]></category>
		<category><![CDATA[sculpture]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2551</guid>
		<description><![CDATA[Here &#38; There &#8211; New York. Installation View. Courtesy Pace Gallery When Maya Lin (American, b. 1959) created “Storm King Wavefield” in 2009, she was in sync with the mores of late 1960s artists including Michael Heizer, Nancy Holt, Dennis Oppenheim and Robert Smithson, each of them prominent in the Earthworks or Land Art movement. [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2551&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Pin River - Hudson, 2009. Maya Lin. Steel Pins. 84&#34; x 60&#34; x 1 1/2&#34;. &#38;copy Maya Lin Studio, courtesy Pace Gallery.</media:title>
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			<media:title type="html">Crossing Midtown, 2013. Maya Lin. Steel Pins, 8&#039; 9-1/2&#34; x 10&#039; 4-5/8&#34; x 1-1/2&#34;. © Maya Lin Studio, courtesy Pace Gallery.</media:title>
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		<item>
		<title>Art Marketing 101: An Artist’s Guide to a Succesful Business Plan</title>
		<link>http://blog.sculpture.org/2013/05/09/art-marketing-101/</link>
		<comments>http://blog.sculpture.org/2013/05/09/art-marketing-101/#comments</comments>
		<pubDate>Thu, 09 May 2013 15:35:28 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Profession of Sculpture]]></category>
		<category><![CDATA[art market]]></category>
		<category><![CDATA[branding]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[economy]]></category>
		<category><![CDATA[Glenn Harper]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[workbook]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2532</guid>
		<description><![CDATA[Constance Smith’s Art Marketing 101 is now in its 4th edition (just released in March). The book is structured like a workbook, walking the beginning artist through “Business Basics,” “Legal Issues,” “Strategies,” “Networking,” “Exposure,”  and “Strategic Planning,”  with spaces for the reader’s responses to specific questions and to broader planning suggestions. It leads directly to [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2532&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">Art Marketing 101: An Artist’s Guide to a Succesful Business Plan 192 pages $19.95 Penn Valley, CA: ArtNetwork, 2013 ISBN: 978-0940899-80-3</media:title>
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		<media:content url="http://iscbookreviews.files.wordpress.com/2013/05/art101.gif" medium="image">
			<media:title type="html">Art Marketing 101: An Artist’s Guide to a Succesful Business Plan192 pages, $19.95. Penn Valley, CA: ArtNetwork, 2013. ISBN: 978-0940899-80-3</media:title>
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	</item>
		<item>
		<title>What&#8217;s a Gallery Exhibition Worth to You?</title>
		<link>http://blog.sculpture.org/2013/05/08/whats-a-gallery-exhibition-worth/</link>
		<comments>http://blog.sculpture.org/2013/05/08/whats-a-gallery-exhibition-worth/#comments</comments>
		<pubDate>Wed, 08 May 2013 15:35:35 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[Business of Art]]></category>
		<category><![CDATA[commission]]></category>
		<category><![CDATA[Daniel Grant]]></category>
		<category><![CDATA[galleries]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[opportunities]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2537</guid>
		<description><![CDATA[What’s it worth to you to get a gallery exhibition of your artwork? Sure, galleries are in business to sell art, earning a commission of between 40 and 60 percent for every sale of work consigned to them contemporary artists, so their profit margin should cover the costs of promoting and advertising exhibits, requiring artists [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2537&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<item>
		<title>Top Five Sculptural Looks &#124; London, New York and Paris</title>
		<link>http://blog.sculpture.org/2013/05/02/top-five-fashion/</link>
		<comments>http://blog.sculpture.org/2013/05/02/top-five-fashion/#comments</comments>
		<pubDate>Thu, 02 May 2013 15:35:06 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[On View]]></category>
		<category><![CDATA[Ana Finel Honigman]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2494</guid>
		<description><![CDATA[Writing for New York Magazine during the city’s influential Fashion Week, art critic Jerry Saltz movingly reflected on the bygone thoughtfulness, self-reflection and self-challenge of the 1993 Whitney Biennial. If Saltz were an authority on fashion, instead of art, than he would be heartened to see the spirit of that era alive on the world’s [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2494&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://blog.sculpture.org/2013/05/02/top-five-fashion/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">intsculpturectr</media:title>
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			<media:title type="html">feature-fashion</media:title>
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			<media:title type="html">Givenchy</media:title>
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			<media:title type="html">Mary-Katrantzou</media:title>
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			<media:title type="html">Preen</media:title>
		</media:content>

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		<item>
		<title>Raúl “Pájaro” Gómez – Esculturas 2013</title>
		<link>http://blog.sculpture.org/2013/05/01/raul-pajaro-gomez/</link>
		<comments>http://blog.sculpture.org/2013/05/01/raul-pajaro-gomez/#comments</comments>
		<pubDate>Wed, 01 May 2013 15:30:40 +0000</pubDate>
		<dc:creator>intsculpturectr</dc:creator>
				<category><![CDATA[On View]]></category>
		<category><![CDATA[Maria Carolina Baulo]]></category>

		<guid isPermaLink="false">http://blog.sculpture.org/?p=2481</guid>
		<description><![CDATA[Translate from Spanish to English or other languages Escultor de amplia trayectoria, Raúl “Pájaro” Gómez presenta su serie de Esculturas 2013 en la Galería Laura Haber, acompañando por los trabajos plásticos de la artista Miriam Peralta. Los dibujos de Peralta entran en diálogo con las elegantes esculturas que copan el espacio; un diálogo que conserva [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.sculpture.org&#038;blog=16912612&#038;post=2481&#038;subd=iscbookreviews&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://blog.sculpture.org/2013/05/01/raul-pajaro-gomez/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
	
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			<media:title type="html">intsculpturectr</media:title>
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			<media:title type="html">Galeria Laura haber expo miriam peralta , Pajaro Gomez</media:title>
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			<media:title type="html">Serie Obertura 16acero Inox. Pinotea RT  0,70x0,53x2,30 mts 2012</media:title>
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			<media:title type="html">Serie obertura 5 acero inox. vidrio RT 1.10x0.17x0.69  2011</media:title>
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